CAROLINE GOLDBERG IGRA
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Recent publications: 

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The Curve, Away Journal
http://awayjournal.org/article/caesarea-israel-the-curve
Also included in: When we turned within: Reflections on COVID-19 (volume ), 2020

https://www.amazon.com/dp/B08L9S68T4/ref=rdr_ext_tmb

Dispatches, Another Chicago Magazine
https://anotherchicagomagazine.net/2020/05/08/dispatch-from-xx-by-caroline-goldberg-igra/

The Rabbit Hole, Pandemic Magazine
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https://www.pandemic.space/2020/05/08/the-rabbit-hole/
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Never Truly Empty, Mothers Always Write
https://mothersalwayswrite.com/never-truly-empty/?fbclid=IwAR2ZGABa8abf9omvkkvoHmTjZoxhEHmA1mrVQd7_CKnolr2sPqXcOksE3MU
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Click to purchase a Paperback edition of: Count to a Thousand
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Click To purchase: J. D. Kirszenbaum

Check out my blog in The times of israel
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Check out my Blog on the Jerusalem post
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​Academic Publications: 
 
"Imagery of Destruction and Reconstruction: Giuseppe de Nittis' forthright approach to Post-Commune Paris," Konsthistorisk tidskrift LXVII (1998): 157-173.
 
"Measuring the Temper of her Time: Joan of Arc in the 1870s and 1880s," Konsthistorisk tidskrift LXVIII (1999): 117-125.
 
"Monuments to Prior Glory: The Foreign Perspective on Post-Commune Paris," Zeitschrift für Kunstgeschichte 62 (1999): 512-526.
 
"Spatial Engineer: The Role of Italian artist Giuseppe de Nittis in the development of Cityscape Imagery in the late 19th century." Van Gogh Museum Journal (1999): 94-103.
 
"Italian Artists in Paris in the Late Nineteenth Century and the Establishment of La Polenta," Storia dell'Arte 97 (2000): 131-138.
 
"William Holman Hunt's Portrait of Fanny: Inspiration for the artist in the late 1860s."  Zeitschrift für Kunstgeschichte 65 (2002): 232-241.
 
“Jealousy or genuine fear of contamination: Critical peer reaction to the assimilation of Italian artists in Paris in the late nineteenth century,” Studi di Storia dell’Arte 15 (2005): 227-336.
 
“Constructing an Image: The Development of La Vie Moderne in Third Republic Paris,” Zeitschrift für Kunstgeschichte 69 (2006): 109-114.
 
"Reviving the Rococo: Enterprising Italian artists in Second Empire Paris," Art History 28 (2005): 341-356.
 
“Restoring Guillaume Coustou’s Samuel Bernard to its Baroque Heritage: An argument for formal analysis," Studi di Storia dell’Arte 17 (2006): 1-12.
 
“Conceiving the Child: British illustrator Kate Greenaway's determining influence on the graphic work of Mary Cassatt,” Aurora 7 (2006): 19-34.
 
"Framing the Present for Posterity: The Synergy of Early Photography and the Painted Cityscape in Third Republic Paris," The Journal of Architecture 11 (November 2006): 559-568.
 
"Servants to patronage, witnesses to change: Italian artists abroad and the modern cityscape," Visual Resources 23 (2007): 183-202.
 
"Victor Burgin's meaningful cityscape and the legacy of socially-responsive narrative view painting," Journal of Visual Arts Practice 7 (2008): 57-73.
 
"The Search for a Story: George Lukàcs’ “Narrate or Describe?” and the Parisian Cityscape," Zeitschrift für Kunstgeschichte 73 (2010): 99-114
 
J.D. Kirszenbaum (1900-1954): The Lost Generation—A Journey from Staszow to Paris via Weimar, Berlin and Rio de Janiero, Somogy-Editions d'Art, Paris, 2013.
 
“The Restoration of Loss:  J.D. Kirszenbaum’s exploration of personal displacement,” Ars Judaica 14 (2014): 69-92.
 
Book Review. Nadine Nieszawer, with Claude Lanzmann (pref.), and Deborah Princ, Arthur Princ, Boris Princ, Marie Boyé Taillan, and Paul Fogel. Artistes Juifs de l’École de Paris 1905–1939. Paris: Somogy Éditions d’Art, 2015 in Images: A Journal of Jewish Art and Visual Culture. Vol. 10 (2017).

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  • Home
  • About my novel
  • Events
  • My Work
  • About Me
  • Blog
  • Product
  • Contact